Sergei Sviatchenko
Berlin
Ukrainian-Danish artist Sergei Sviatchenko is arguably one of the most influential innovators of modern collage. The exhibition For Light and Memory includes work from Sviatchenko’s new eponymous series as well as a range of artworks from his on-going project ‚Less‘. The new works are based on the book „Andrei Tarkovsky: A Collector of Dreams“ about the groundbreaking Soviet and Russian filmmaker by Layla Alexander-Garrett, who worked as Tarkovsky’s personal interpreter and assistant during his last film, „The Sacrifice.“ These works, which consist of large-scale wallpaper prints as well as smaller originals, are neither a dialogue, nor a statement of ideas, but rather photographic collage poetry.
The works from ‚Less‘, on the other hand, provide an opportunity for the public to become familiar with an exploratory, logical, and intuitive artistic process that incites reflection about popular culture and our modern vision of life. The objects, close-ups, portraits, animals, architectural dreams, and headless models featured in the work might seem absurd or surreal at first glance, but Sviatchenko’s recontextualisation of familiar everyday items turn his collages into sharply contoured, sculptural expressions. The precise and clean cut composition of color and shape suggests—in a poetic, consistent language—that the fragmentation of contemporary, nomadic, globalized life does not drain it of meaning.
These collages mirror the process of navigating through the rapid flow of visual impressions that the contemporary consumer is constantly confronted with. Rather than presenting a single path that leads to clear answers and a panoramic overview, the powerful images give spectators myriad ways to think about how meaning is attributed, exchanged, and constantly contested.
The featured paintings in For Light and Memory leave viewers in a state of satisfied confusion about real places or those known from memories. Although the artist’s intent and message might not be immediately clear or understandable, these images still deeply resonate with their viewers—like dreams.
January 24 – March 3, 2013
Sophienstraße 21
10178 Berlin
Germany
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